The tenor returns to the Teatro Colón for the season finale of the porteño coliseum, performing Beethoven’s Ninth Symphony under the baton of Keri-Lynn Wilson. With a 2024 marked by performances on major stages in North America and Europe, including his successful debut at the Teatro de la Maestranza in Seville, Ballerini prepares to celebrate 15 years of his career in 2025. In this interview, the tenor reflects on his reunion with the repertoire that has defined him, his connection to the Teatro Colón, and the future challenges he faces as one of the most sought-after tenors of his generation.
By Virginia Chacón Dorr
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We spoke with Ballerini, who on December 21 will return to the Teatro Colón for the final concert of the year, where he will perform Beethoven’s Ninth Symphony alongside the Teatro Colón’s Orchestra and Chorus, soprano Montserrat Maldonado, mezzo-soprano Alejandra Malvino, and bass-baritone Fernando Radó. He also shared the challenges of the upcoming year, which marks his 15th career anniversary, with a schedule that includes his highly anticipated debut at the Arena di Verona, Teatro Petruzzelli in Bari, and performances in several cities across Spain, solidifying his position as one of the most prominent bel canto tenors internationally.
“Returning to perform Beethoven’s Ninth Symphony is profoundly symbolic. Its message of unity and brotherhood feels increasingly relevant in today’s world, and singing it on the eve of Christmas adds even more significance.” – Santiago Ballerini
The last time we spoke, you mentioned your busy schedule for 2024, which is now behind you. What operatic role gave you the most satisfaction this year?
This year was a very interesting reunion with a repertoire I deeply love—balanced and full of surprises. Without a doubt, the role that defined my year was EDEMONDO in the world premiere of Anna di Resburgo by Carolina Uccelli. New York became the stage for the return of this bel canto composer alongside the Teatro Nuovo team. A few days ago, we received the gratifying news that The New York Times selected our performance as one of the best classical music interpretations of 2024.
What does it mean to you to be part of the Teatro Colón’s closing season, performing nothing less than Beethoven’s Ninth Symphony?
It is a true honor. I trained and took my first steps in lyric singing at the Teatro Colón. I feel immense gratitude for my Argentina and its theater. Returning to perform Beethoven’s Ninth Symphony is profoundly symbolic. Its message of unity and brotherhood feels increasingly relevant in these times, and singing it on the eve of Christmas makes it even more powerful.
Outside of your professional life, what do you enjoy doing when you come to Argentina?
Spending time with my family and friends. Eating asados, drinking mate with my mother, and going to see Independiente play at the stadium with my father are some of my greatest pleasures when I return to Argentina.
How are you preparing for your debut at the Teatro di Verona?
I am very excited and focused. Since last September, I have been studying La passione di Gesù Cristo by Salieri, and my debut will take place next April. The work is extremely challenging vocally, so I decided to start it early. However, what a joy it is to perform in such a renowned theater as Verona’s!
In 2025, you will celebrate 15 years of your career. Do you make long-term plans? Are there any specific places you would like to reach in the next 15 years?
My biggest challenge from now on—given that I’ve reached a pivotal age for tenors—is to maintain a healthy voice and choose the correct repertoire. I am fortunate to have a supportive and communicative team that makes this journey much easier. I look forward to staying healthy and enjoying singing.
